Blog articles
Add the audio of your articles to a Mailchimp newsletter
Mailchimp will not play an audio player inside an email, and no mail client does. What works is a button to a page that plays the audio, with the play counted under its origin, the newsletter.
Read →Reading an interview aloud: the questions, the answers, and two voices
An interview does not read like a running article. The rise and fall of questions in sequence, and telling the interviewer from the person answering: what French text to speech does with it, and where it stops.
Read →How text-to-speech actually works, in plain terms
Between the written text and the sound that comes out, more happens than you would think. An article's journey, step by step, and the exact place where the quality of a French voice is decided.
Read →Adding audio to a WordPress built with Divi, WPBakery or Elementor
Page builders store the article in blocks, and that is exactly where an audio plugin can fail without saying a word. How the text is extracted, what had to be fixed, and the safe path when a doubt remains.
Read →Switching audio provider without losing your audio: the question you forget at signing
Reversibility is the question nobody asks when signing, and the one that costs the most when leaving. What a customer can really take when leaving WeDispatch (files, texts, feed), and what becomes of an already-subscribed podcast feed. Without rounding off, and without naming anyone.
Read →Natural French text to speech: the five flaws that still give a machine away
A 2026 French synthetic voice no longer sounds robotic, but five flaws still give it away to an attentive ear, and a few have genuinely gone. The five, each with where it can still be heard in our own output, or the reason it can't anymore.
Read →Farm and agricultural press: audio for readers whose hands are busy
In a tractor cab, at milking, out in the field, a farmer isn't reading, but can listen. Agricultural media have a readership audio serves better than almost any other. The real weight and duration of an article, offline listening, and whether the technical vocabulary is read correctly.
Read →Writing a text-to-speech RFP: what to actually require
A public body or a media outlet putting its content out to tender often writes 'natural voice' and little else. Here are the requirements that can be verified, and our own answer to each, including the places where we answer no.
Read →Listening or reading: what the research actually says about comprehension
Do we understand and remember a text we listen to as well as one we read? The question is fair, and the honest answer is neither 'it's the same' nor 'nothing beats reading'. Here is what a few studies say, and what they do not.
Read →Member letters as audio: the listen link, and listens you can count
Federations, professional bodies, unions: circulars and member letters that only a minority reads, and members who are often on the move. Audio adds a channel, and a listen link dropped into the letter is all it takes to trigger it.
Read →Synthetic voices and emotion: what they convey, and what they don't act out
A neural voice conveys a question and an exclamation convincingly. Irony, reported anger, grief, far less. Why an article is not performed like a play, and exactly where the line falls, said without dressing it up.
Read →French text-to-speech API: the first call, end to end
For a developer who wants to narrate an article from their own code, here is the minimal call and the response it returns, taken from the public documentation. One text, one request, one audio file, and what to know before wiring up a whole CMS.
Read →Audio for magazines: what the long form changes
A magazine does not run the same articles as a daily paper: investigations, profiles, multi-thousand-word features, read by paying subscribers. Audio serves a different purpose here, and a 4,000-word piece is prepared differently from a news brief.
Read →Turn your feed into a podcast on Apple, Spotify and Deezer: what each one requires
One standard RSS feed, three platforms that do not read it the same way. What Apple refuses outright, what Spotify checks by email, what each one rewrites on its side, and the first real Apple acceptance in September 2026.
Read →French text-to-speech and regional accents: can you read an article with a Marseille accent?
A local outlet would love a voice that sounds like its readers: the accent of Marseille, of the North, of Toulouse. What synthetic voices can actually do today, what they really declare, and why the honest answer is no.
Read →Audio on a school website: accessibility, and the data question
The note to families, the circular, the school rules: texts everyone is meant to read and many never finish. Audio helps, but a school site has a constraint others do not: some of its readers are minors.
Read →Writing for the ear: what reads well and listens badly
A text can be perfectly clear to read and painful to hear. Nested sentences, piled-up asides, acronyms never spelled out, numbers in bursts: here are the writer's rules that make an article listenable, with a real paragraph rewritten and its duration and breathing points measured before and after.
Read →An accessible audio player: the criteria the player itself has to meet
Adding an audio version does not make a site accessible if the player itself is not: keyboard operation, screen reader, visible focus, contrast, reduced motion. Here is what our player meets, read in the code, and what stays the site's own job.
Read →Internal comms as audio: what changes when the text must stay inside the company
The leadership memo, the weekly internal letter, the updated procedure: texts that few people read and many would happily listen to. Turning internal documents into audio raises a question the press never faces: where does the text go, and who can hear it?
Read →Listening to a long text in French TTS: listening fatigue, and what actually helps
Past a quarter of an hour, the ear drops out. The thresholds where a long text is flagged before you launch, the spoken summary, and the split into episodes and chapters, described from what is actually implemented.
Read →Reading legal references aloud in French: what a voice tool does with « L. 121-1 » and « al. 2 »
A legal text is full of references written short and spoken long. Five real references, how they are meant to be read, and what our reading does with them today, including where it stops.
Read →Choosing what the audio reads: skip the boxes, the « read also » blocks and the rest
An article page holds far more than the article: pull-out boxes, « read also » blocks, subscription prompts. The « Text read » button in My audio lets you choose exactly what the voice reads, and here is what it changes about cost.
Read →Listening to an article with the screen locked, and in the car
Audio started from a web page should keep going when the screen turns off, show up on the car's dashboard, and resume after a long pause. What the browser really allows, and where it pushes back.
Read →A synthetic voice: should you disclose it? What the EU rules say
Should you tell listeners they are hearing a synthetic voice? What the EU AI Act requires, since when and for whom, and why WeDispatch shows the notice by default.
Read →Copyright: turning a text into audio is reproducing it
Having a voice read a text is, in copyright terms, reproducing it. Your own article, a wire story, a guest op-ed: who can authorise what, and what the customer declares to WeDispatch.
Read →One podcast per section, each configurable, on Apple Podcasts and Spotify
A single general show serves the sport-only reader poorly. WeDispatch opens one show per section, each with its own name, cover and category, and tracks its status on Apple without asking you anything.
Read →Reading a PDF aloud: what grates on the ear, and what we do with it
A PDF is built for the eye: repeated headers, page numbers, words split at line ends, columns, footnotes. What should not be read, and what our extraction removes or lets through, said without rounding off.
Read →Flagging uncertain names before the reading, not after
Catching a mispronounced name after the fact costs you a listen and a re-render. WeDispatch flags names whose pronunciation is uncertain before it reads, you decide once, and the matter is closed.
Read →Listen to your articles and PDFs on your phone, like a radio
A writer, a lawyer, an elected official receives more text than they can read. WeDispatch Radio turns it into a private listening queue: pasted text, an article URL, a PDF, offline.
Read →More than one voice in an article: why only quotes switch voice
Telling two speakers apart by ear keeps a long article listenable to the end, especially for a blind or low-vision listener. How a quote is spotted, and when the tool holds back.
Read →Putting audio in a newsletter: the listen link, and nothing else
No email client plays audio inside a message. What works is a link to a page that plays that one audio, and a listen counted with its 'letter' origin.
Read →Reading French postal addresses aloud: the postcode, the « bis », the abbreviations
12 bis rue du Gal-Leclerc, 75008 Paris looks trivial and reads badly. The forms in a French address that trip up a text-to-speech engine, why they do, and what proper preparation does about them.
Read →Reading percentages and rates aloud in French: « pour cent », the point, the space
3,5 %, +0,25 point, de 2 à 4 %, ‰: a percentage hides a decimal, a unit, a typographic space, and a confusion between a point and a percent. The forms that trip up a French text-to-speech engine, and what proper preparation does about them.
Read →Listening faster (or slower): the audio player's playback speed
Six speeds from 0.8x to 2x, one button that cycles them, a choice the player remembers from one article to the next with no account. How playback speed works, and why it must not be confused with the pace of the voice itself.
Read →An audio player in the page or in an iframe: what that choice decides
Many audio components attach to a site through an iframe, an isolated frame loaded from another domain. It is quick to drop in, and it costs three things you do not see at first: indexing, speed, and ownership of your audience. Here is why a player rendered in the page behaves differently.
Read →Image captions and photo credits: what French text to speech does with them
The caption under an image, the '© Photo: agency name' that follows it: these are text, so a voice engine can read them. The question is not whether it can, but whether it should, and how the copyright symbol, agency initialisms and credit lines sound to the ear.
Read →Footnotes and note markers: what French text to speech does with them
A small superscript number after a word, an asterisk, a note parked at the end of the article: on the page the eye handles it alone. Out loud, a mishandled note marker gets read as a number glued to the word before it. Here is what happens, and how to avoid it without touching the visible text.
Read →WCAG 2.2 and an audio version: what the standard requires, and what it does not
WCAG is the international benchmark for web accessibility, carried into the EU standard and national rules. An audio version is not a success criterion. Here is where it genuinely meets the standard, and above all how a badly built player can pull a score down.
Read →Adding audio to a Dotclear site: feeds, theme templates and the API
Dotclear runs many blogs and association sites across the French-speaking world. Here is how to add an audio version of your posts, what this engine makes easy, and its real limits, stated plainly.
Read →The ellipsis: what French text to speech does with three little dots
Three dots signal a list that goes on, a sentence that fades out, a quotation with a cut inside it. On the page the eye fills the gap. Out loud, it all rides on one pause. Here is what a voice engine does with the ellipsis in French, and where it stops.
Read →French text to speech: reading code and technical snippets
getUserById, max_retries, config.json, npm install, v1.2.3: a technical blog is full of strings nobody pronounces the way they are spelled. What a synthetic voice does with them, what to spare it, and how to mark code so it reads right.
Read →French text to speech: reading fractions aloud
1/2, 3/4, 2/3, half, one and a half: a fraction written cleanly has exactly one spoken form, yet a synthetic voice can get it wrong in six different ways. The table of forms that stumble, and how to write them so they read right.
Read →Adding audio to a Jekyll site
Jekyll builds your pages at build time and serves them as flat files, often on GitHub Pages where plugins are locked down. Here are the two clean routes to add an audio version of your posts, the exact Liquid snippet for the player, and the trap to avoid.
Read →Reading a sports score aloud in French: the hyphen that turns into « minus »
2-0 is read « deux à zéro », not « deux moins zéro ». Match scores, tennis sets, minutes of play, league fixtures: the forms that trip up French speech synthesis, and how a well-prepared engine handles them.
Read →Fixing one sentence in already-generated audio, without redoing it all
A typo, a mispronounced name, a last-minute update: how to redo a single passage of a narrated article without regenerating the whole thing, what it costs exactly, and why the cut is inaudible.
Read →Voice your articles by API: the route for a homemade or headless CMS
You're not on WordPress. Here's how a REST API turns an article into audio in one request: send the text, get a synchronous response or a webhook, show the player in one line. The real path, no magic.
Read →Reading French ordinal numbers aloud: 1er, 2e, XXe siècle
1er, 1re, 2e, 2nd, 21e, XXe siècle, primo: a written ordinal has one right reading and several wrong ones. The French forms that trip up speech synthesis, and how a well-prepared engine handles them.
Read →Math symbols and operators: what a synthetic voice does with them
+, ×, ÷, =, <, ≤, ±, √, π: every sign has an expected reading and a wrong one. The table of operators that trip up French text to speech, and how to take back control of them.
Read →The audio player takes on your site's colours, with no setup
Dropped onto a page, the player guesses the brand colour and matches it on its own. Here is the exact rule it follows to find it, what it turns down along the way, and how to take back control when it gets it wrong.
Read →Adding audio listening to a Medium publication
Medium allows neither custom code nor a third-party player inside an article. Here is the realistic path to offer an audio version of your texts despite that constraint, with no hacks and no false promises.
Read →Reading units of measurement aloud in French: the table of traps
km/h, m², °C, kWh, 3,5 cl, 250 Go: a unit does not read the way it is written, and the symbol carries neither its gender, its plural, nor its word order. The table of units that trip up French speech synthesis, and what handles them correctly.
Read →Adding audio to a Bubble app
Bubble is built for no-code web apps, and many projects publish blogs and content pages on it too. Here is where audio fits on Bubble, what the platform really allows, and the limits to know before you start.
Read →Reviewing audio before it publishes: keeping the last word
Text-to-speech is excellent, but a newsroom does not always want to publish blind. How to queue each audio, listen, correct it, then approve it before it airs.
Read →Running several titles from one account, without flattening their identity
A publishing group runs several sites. How to narrate them all from a single account while each title keeps its own voice, player and logo, without multiplying subscriptions.
Read →Reading everyday abbreviations aloud: etc., e.g., i.e., cf., NB
French prose is full of editorial abbreviations. Here is what a good text-to-speech engine should do with them, the mistakes to watch for, and the exact way to fix a one-off case.
Read →Adding audio to a TYPO3 site: the plain route, not an extension
TYPO3 runs a lot of university, government and large-publisher sites. Here is how to add an audio version of your articles without writing an extension or weighing down your upgrades.
Read →Emoji read aloud: what a French text-to-speech engine should do with them
😀 ❤️ 👍: read aloud, an emoji becomes 'smiling face with open mouth', an awkward silence, or a noise. What a voice tool should do with an emoji in a French article, and why the right move is almost always not to read it.
Read →Reading prices and currencies aloud in French: where the traps sit
12,50 €, $5, 1 M€, CHF 40: a money amount reads in an order and with a name the symbol never states. The table of currency forms that trip up French speech synthesis, and how good preparation handles them.
Read →Adding your article audio inside a mobile app
You have a mobile app on top of your website and you want the audio version of your articles there too. Two paths exist, the WebView and the API, and the right one comes down to a single question: background playback.
Read →Superscripts, subscripts and scientific notation: what a synthetic voice does with them
m2, H2O, 10 to the sixth, 1st, 19th century: these forms carry a dimension that plain text loses. Here is what French text to speech reads correctly, what it gets wrong, and how to take back control.
Read →Scheduled publishing: generate the audio at deadline, serve it at publication time
The newsroom wraps at night, the article goes out at dawn, and the embargo has to hold. How to schedule an audio publication without risking the 6am outage or an early leak, accurate to within two minutes.
Read →Asking a question out loud: what French text to speech does with intonation
Viens-tu ?, Est-ce que tu viens ?, Tu viens ? : three ways to write the same question, three expected melodies. How a French speech engine raises the voice, where it slips, and what saves it.
Read →Listening instead of squinting: audio for older readers
Presbyopia, visual fatigue and reading that becomes an effort arrive early and reach wide. What an audio version of an article concretely brings an older reader, and the settings that actually matter.
Read →French text to speech: reading number ranges and intervals aloud
2008-2012, pp. 12-15, ages 40-45, a 3-1 score: the hyphen between two numbers is a trap for a synthetic voice. The table of forms that stumble, and the writing habit that fixes them.
Read →The audio registration wall: turning listeners into subscribers without tracking them
Audio holds attention longer than an article, yet it brings back no email. How a registration wall sets a listening limit and returns a qualified contact, with no cookie and no profile.
Read →What should not be read aloud: the typographic noise a synthetic voice must ignore
Photo credits, 'Related reading', separator rules, HTML entities, bullets: an article is full of marks written for the eye. What good preparation does with them before handing off to the voice engine.
Read →Resume where you left off: the small thing that decides whether an article gets finished by ear
An interrupted listener does not come back to the start, they do not come back at all. What the player remembers from one session to the next (position and speed), why it moves your listen-through rate, and what it does not do.
Read →Does an audio player slow your page down? What to check before you add one
Adding audio to an article should not cost you page-speed points. Asynchronous script, audio served from a CDN, a block rendered server-side: the three ways to weigh nothing, and how to check it.
Read →Aïe, hein, chut: what French text to speech does with interjections
Aïe, euh, hein, chut, ouf, hmm: these little words are almost never written the way they are said. How a French speech engine reads them, where it slips, and how to keep control.
Read →Background music under the voice: sound design for your audio articles
Radio has laid a light bed under the voice for a century. Here is how to add that sound design to your audio articles: an MP3 address, an adjustable volume, applied account-wide, no studio.
Read →Paste text to turn it into audio, when the source has no address
Not every source has a public URL: an internal document, an unpublished text, an email newsletter. You paste the text, the character count updates as you type, and the audio is made just as it is for a live article.
Read →The diaeresis out loud: how French text to speech handles Noël, maïs and aiguë
The French tréma tells the ear that two vowels are pronounced apart. When it goes missing, a speech engine reads maïs as mais and Noël as one syllable. What a French engine does, and how to fix it.
Read →iPhone, Ikea, L'Oréal: how a French voice reads brand names
Brand names follow no letter-to-sound rule: a capital mid-word, an acronym spelled out, a foreign name gone French. What a speech engine does with them, where it trips, and how to lock the right reading once and for all.
Read →An article's strongest line, as a share-ready audio excerpt
How to pull a quote out of an article you've already voiced and share it as an MP3, with no re-recording and no trimming files by hand. What cutting from word-level timestamps makes possible, and what it doesn't do.
Read →Turning an article into audio without any AI rewriting the text
Many newsrooms have an editorial charter that bans AI-generated content. How to produce an audio version within that rule: text read exactly as written, prepared by rules rather than by a language model.
Read →Accented capitals: the French text-to-speech trap your keyboard sets for you
In French, an E that should be an É, or an A that should be an À, changes what a synthetic voice says. Why accents vanish on capitals, what a tool can safely fix on its own, and what you're better off telling it.
Read →Reading times and opening hours aloud in French
9 h 05, from 14 h to 18 h, 20h30, noon, midnight: each form has an expected reading and a wrong one. The table of forms, what a synthetic voice does with them, and the opening-hours trap.
Read →Non-English foreign words in French text read aloud
Leitmotiv, aficionado, ciao, Autobahn, a cappella: French text is full of words borrowed from elsewhere. What a French voice does with them, why it is not the same problem as English loanwords, and how to take back control.
Read →Describing your images: alt text, and why it can also be heard
WCAG 1.1.1 requires a text alternative for every meaningful image. What a generated description actually does, the difference between a short alt and a long description, and the option to voice it.
Read →Parentheses and asides: what French text to speech does with them
A parenthesis, an aside set off by commas, a remark dropped into the middle of a sentence: none of them read aloud like the rest. Here is what a voice engine does with them in French, where it holds up, and where it shows its limits.
Read →Clickable chapters and links to the second: navigating an audio article
A long article read aloud is intimidating: you cannot see where it goes, or find the part you want. Chapters and a timestamped link fix both, without adding anything to the text.
Read →Hyphenated compounds: the quiet trap for French text to speech
Peut-être, c'est-à-dire, arc-en-ciel, quatre-vingts, Sainte-Foy-lès-Lyon: the hyphen changes how a word is read. What a French text to speech engine does with it, and where it slips.
Read →Cognitive accessibility, Easy Read and audio: what the voice fixes, and what it doesn't
Digital accessibility mostly thinks about sight and movement. Cognitive accessibility is the one that gets forgotten. Where audio genuinely helps, and why it does not replace Easy-to-Read.
Read →Audio search: find the exact second a word is spoken
Audio is a black box: you can't know what's inside without re-listening to it all. WeDispatch full-text audio search locates a word in the soundtrack, down to the second.
Read →SRT and VTT subtitles: one more file, not one more invoice
Where the subtitles of a narrated article come from, why they cost nothing to produce, and the single condition for getting them. No overselling.
Read →The œ ligature: the little sign that gives a French speech engine away
Cœur, œuf, œsophage, poêle: the œ ligature does not read one single way, and 'oe' is not always an œ. What French text to speech has to know before pronouncing it.
Read →A priori, in fine, etc.: how a French voice should read Latin
French is full of Latin phrases, and a voice trained mostly on English mangles them. What an engine has to know to read 'a priori' without an English accent, and the abbreviation that traps everyone.
Read →Adding an audio version to your Craft CMS articles
Craft has no consumer plugin directory, but audio adds without a rebuild: an embed in the Twig template, a feed, or the API. The three methods, step by step, for a Craft CMS site.
Read →Reading a French phone number aloud: the grouping trap
01 23 45 67 89 is read in pairs, not digit by digit and not as one giant number. Phone numbers, IBANs, reference codes: the forms that trip up French speech synthesis, and how a well-prepared engine handles them.
Read →M., Mme, Me, Dr: reading French courtesy titles aloud
M. Dupont, Mme la maire, Me Martin, Dr Léa Roy: each French courtesy abbreviation has one right reading and one wrong one. The forms that trip up speech synthesis, and how a well-prepared engine fixes them.
Read →The aspirated h: why French TTS says le hibou but l'homme
In French, an initial h can either allow elision and liaison or forbid them, and spelling gives no hint which. What a synthetic voice does about it, and how to force the rare cases.
Read →Downloading an article's audio: offline listening, no surprises
The MP3 button lets a reader take an article's audio version away to listen offline. What it actually downloads, what it respects, and what the publisher keeps control of.
Read →Reading speed: how fast a synthetic voice should read French aloud
Too slow and the listener drifts off; too fast and they lose the thread. Here are the pace benchmarks for machine-read French, what they do to an article's running time, and how to set the speed without getting it wrong.
Read →Dialogue and quotations: what French text to speech does with the marks
A quote, a line of dialogue, a word set apart in quotation marks: none of them read like ordinary text. Here is what a voice engine actually does with them, where it stumbles, and how to fix it.
Read →Adding audio to a Tumblr blog: what works, and what gets blocked
Tumblr lets you edit the theme but strips code from posts. Here are the two realistic routes to add an audio player to a Tumblr blog, with their exact limits.
Read →Adding an audio version to your Magento pages
Magento has no WeDispatch extension to install, but audio still goes on without a dedicated developer: an embed in the theme, an RSS feed or sitemap, or the API on a product event. The three methods, step by step.
Read →Roman numerals in French audio: Louis XIV is not read like the XIVe siècle
Louis XIV is read 'quatorze', the XIVe siècle 'quatorzième', François Ier 'premier'. The same Roman numeral changes reading with what it counts. The rules in one table, and what French speech synthesis really does with them.
Read →Reading French dates aloud: where text-to-speech quietly gets it wrong
1er mai, 03/09/2026, les années 1980, 1914-1918: a written date has one right reading and several wrong ones. The forms that trip up French speech synthesis, and how a well-prepared engine handles them.
Read →The middle dot out loud: what text-to-speech does with French inclusive writing
« étudiant·e·s » reads well with the eyes and badly with a voice. Here is why the French middle dot has no spoken form, what an engine actually does with it, and the only way to get inclusive French that plays without a stumble.
Read →The audio summary before the article: the gist first, for readers without eight minutes
Many readers want thirty seconds to decide whether an article is worth their time before committing to eight minutes of listening. Here is the gist-first model, what it actually does, and what it changes about listening time, measured on your own corpus rather than promised.
Read →Reading web addresses, emails and handles aloud in French
wedispatch.fr, a contact email, @julien, a hashtag: each has one expected reading and several ways to get it wrong. What a French synthetic voice should say, where it slips, and how to force the right reading.
Read →The mute e: the French syllable that appears and vanishes
porte, maintenant, je ne sais pas: the French e is voiced or dropped depending on speed, region and rhythm. What a synthetic voice does with it, the two ways to get it wrong, and why it decides whether a reading sounds natural.
Read →Teach a voice one word, once, for every article you publish
A synthetic voice mangles a town name, a surname, an industry term. The pronunciation lexicon lets you fix that word a single time, and the fix holds across every later article. How it works, and what it does not do.
Read →Adding an audio version to a WooCommerce store
WooCommerce runs on WordPress, so the audio module installs the same way. The real question isn't how, but what to narrate in a shop, and above all what to leave silent.
Read →Headings, subheadings and lists: how the ear follows an article's structure
A heading is taken in at a glance, a list is spotted by its bullets. In audio, those visual cues vanish. What a synthetic voice does with a text's structure, and how to write so it stays audible.
Read →Bold, italics, capitals: what text-to-speech doesn't hear
Bold and italics can be seen, not heard. What a synthetic voice really does with a visually stressed word, and how to write so your emphasis survives the move to audio.
Read →Add an audio version to your HubSpot articles
HubSpot CMS has no server plugin directory, but audio drops in without touching your theme: custom HTML module, RSS feed or API. The three methods, step by step.
Read →Homographs: when French text to speech has to guess how to read a word
Est, fils, president, couvent: the same written word reads two ways depending on meaning. How a French speech engine decides, and where it gets it wrong.
Read →Week-end, cloud, deadline: how a French voice reads English loanwords
French writing is full of English words. Should a voice say them in English or in French? What a speech engine decides, and how to correct it.
Read →Libraries and media centres: audio in the service of reading accessibility
A library has a mission of access for everyone, including people who can't read print. Here's where audio of a text fits into that accessibility mission, without replacing it.
Read →Integrating schema.org markup for a narrated article: using AudioObject well
Your audio version exists for readers, but a search engine can't see it on its own. Here's the AudioObject markup to integrate so it's signalled, with the exact snippet to copy.
Read →Audio, ADHD and attention: what the format actually helps with
Listening to an article is not a treatment for ADHD, but it changes how you get into a long text. Here is what audio offers a reader who keeps drifting, what it does not fix, and how to offer it honestly.
Read →Audio for accounting and consulting firms: where listening serves a practice
An accounting firm publishes dense updates and technical guides its clients have no time to read. Audio serves that content, not the tables of figures. Here is where the format makes sense and how to test it without spreading yourself thin.
Read →Adding an audio version to a PrestaShop site
PrestaShop has no native audio button, but listening adds on without touching the theme. Here are the three possible paths, the content worth narrating on a shop, and the content better left to the eye.
Read →Adding audio to a travel blog: long stories, place names and listening on the move
A travel blog stacks two challenges for an audio version: long pieces you would like to hear on the road, and foreign place names a synthetic voice easily mangles. What can be fixed, and how.
Read →Low vision and audio: reading a screen when zooming is not enough
Between the blind person using a screen reader and the reader with no difficulty sits a large, poorly served group: low vision. What audio brings them, and what it does not replace.
Read →Adding audio to a Substack publication
Substack does not allow custom code inside a post body. Here is the realistic path to offer an audio version of your articles despite that limit, with no hacks and no false promise.
Read →Quebec's Law 25, web accessibility and audio versions: what is required, and what is not
Law 25 protects personal information; it does not govern website accessibility. Web accessibility for Quebec public bodies falls under the SGQRI 008 standard. What each text actually requires, and where an audio version really sits.
Read →Adding an audio version to a Notion site or page
Notion does not let you install a free script, but it can embed an external page in a block. That is the way in to add an audio player to an article published from Notion, and here is how, with its honest limits.
Read →Abbreviations, units and symbols: the small print that trips up French text to speech
M., Mme, cf., n, km, %, EUR, square metres: each has an expected reading aloud and a wrong one that gives the machine away. A clear table, and the move to fix what stumbles, once and for all.
Read →The European Accessibility Act and passenger transport: what is covered, and where audio actually helps
Directive 2019/882 covers transport websites, apps, e-tickets and terminals since 28 June 2025. What falls in scope, what falls out, and why an audio version helps without ticking the compliance box on its own.
Read →Audio versions for healthcare websites: patient information, medical-term pronunciation, and what the tool does not do
Clinics, practices, insurers and health information sites publish content patients read badly, at the wrong moment. What an audio version actually adds, how medical-term pronunciation is set, and the line not to cross.
Read →Add an audio version to your Blogger posts
Blogger has no plugin directory, but a single HTML gadget puts an audio player across your whole blog, and its native Atom feed voices new posts on its own. Here is how, no developer needed.
Read →Blog audio: what we measure, and what we refuse to measure
A listening dashboard has only one property that matters: everything it shows was actually measured. Here is what WeDispatch exposes, what it refuses to, and why.
Read →Adding audio to a help center and online documentation
Documentation is often read hands-busy: while installing, repairing, following a procedure. Audio suits it better than you would think, as long as updates are handled.
Read →Human voiceover or text to speech: how to choose
Text to speech is not always the right call, and saying so honestly helps you decide. Here is where a human voice still wins, and where a synthetic one has the edge.
Read →Which audio player template for your blog: a decision, not a gallery
WeDispatch offers more than a dozen audio player templates. The right question is not which looks best, but which fits your page and what your article actually holds. Each model, what it requires, and how it falls back to the bar when the data is missing.
Read →Install an audio plugin without creating an account, and test it before you decide
Asking you to register before trying a free plugin inverts the natural order. The WeDispatch audio plugin for WordPress downloads and installs with no account, without a single request leaving for us. The full walkthrough, download included, and the exact point where a free account comes in.
Read →The floating player bar on mobile: listening that does not stop when you scroll
On a long article read on a phone, the audio player disappears off the top of the page as soon as you scroll, and the listener has to scroll back up to pause. The floating bar fixes that. Here is its real behaviour on mobile, described from what is actually implemented, limits included.
Read →WordPress: what happens to the audio when you edit a published article?
A published article gets corrected, and the question lands at once: what about the audio version, which does not move on its own? The exact regeneration path, what plays while it happens, and the real delay, described with no grey areas.
Read →How long does it take to add audio to a blog of 300 existing articles?
Catching up an existing blog comes down to two numbers people keep confusing: machine time, counted in minutes, and monthly volume, which actually sets the pace. A full costed calculation on 300 articles, no flattering rounding.
Read →Guided reading: text highlighted word by word, who it helps and what it takes
The word being read lighting up on screen is not an effect, it is real help for anyone who reads with difficulty. But it cannot be improvised: it rests on one precise piece of data that not every engine returns. What it takes for highlighting to exist, said plainly.
Read →WordPress text to speech plugin for French: what it installs, what it leaves alone
The exact list of what the WeDispatch plugin writes into your WordPress when you activate it: a few settings, one fingerprint per article, not a single line in your theme, and no data about your readers.
Read →Audio in WordPress without touching your theme: how the mechanism works
How the audio player inserts itself into your articles without changing a single line of your theme, and why that avoids the classic problem: a theme update that wipes out your tweak.
Read →Bilingual French and English site: one voice per language, set once
A site published in both French and English does not need two audio installs. How to set a default voice for French and another for English, and what actually changes on an article that is already live.
Read →French as a working language: narrating texts full of non-French proper nouns
Institutions, NGOs and international bodies write flawless French, but their texts are packed with people and places that are not French. How a voice built for French handles a list of foreign names, and how you fix what needs fixing, once and for all.
Read →France, Belgium, Switzerland, Quebec, Africa: one tool for every variant of French
French is not read the same everywhere: numbers, regional words, accents. What a voice tool built for French actually adjusts from one variant to the next, and what is still out of its reach today, stated plainly.
Read →Audio articles for French-speaking Africa: the real question is file size
Mobile-first readers, expensive data, patchy networks: for a francophone newsroom in West or Central Africa, the first test of article audio is not the voice, it is the weight of the file and what it costs to listen. The exact maths for a 1000-word article, no rounding.
Read →Quebec French and text to speech: what a France-tuned voice reads well, and what it doesn't
A Quebec French text read by a voice built for the French of France: what comes out clean, where the accent gives the tool away, and what you can and cannot fix. One Quebec paragraph put under the microscope, nothing hidden.
Read →Multilingual Belgian sites: one voice per language, one integration (and where it stops)
A Belgian site often speaks several languages. How to set a default voice per language, what the catalogue covers today (French, German) and what it does not cover yet (Dutch), said plainly.
Read →Audio for French-speaking Swiss media: where our servers are, and what it changes for a Swiss publisher
Switzerland is not in the European Union. Where WeDispatch hosts data and builds the audio, what path a Romandy publisher's text takes, and what the sovereign tier keeps inside Europe. Stated without rounding.
Read →Why a French synthetic voice sometimes sounds English
Multilingual models are trained mostly on English, and it shows on three specific French sounds. Three words where the flaw surfaces, and what a model tuned for French does differently.
Read →Punctuation and breath: what a comma actually does to spoken audio
A comma, a semicolon and a period do not produce the same pause. The same paragraph punctuated two ways, the measured difference in length, and why badly punctuated text gives itself away out loud.
Read →French text to speech: where your text actually goes
The real path a text takes through a speech tool, the questions to put to any vendor, and our own path stated plainly: hosting, sub-processors, transfers outside the EU, and how long content is kept.
Read →French quality: what it actually means for a voice tool
Our stance, stated plainly: why we would rather read one language well than thirty badly. And the list, with no spin, of what we do not do, with the reason behind each no.
Read →French text to speech for your website: how it actually plugs in
You have a website, not an engineering project, and you want an audio version of your articles. The three possible routes, plugin, API or RSS feed, and the real time each one takes.
Read →A French voice, male or female: choose by content, not by taste
What choosing a synthetic voice really changes (credibility, listening comfort, length) and what it does not. Our selection criteria for the 163 voices in the catalogue, and the ones we left out.
Read →Test a French text to speech voice in ten minutes
A short, reproducible protocol to choose between two French synthetic voices, usable against any tool including ours. Six trials, ten minutes, one decision.
Read →Reading numbers aloud in French: what a machine has to know
1 200 EUR, 15 h 30, 3.5 percent, 1er, XIXe: each written form has an expected reading and a wrong one. The table of forms that trip up French text to speech, and how we handle them.
Read →Acronyms in French audio: SNCF is spelled out, OTAN is said as a word
SNCF is spelled letter by letter, OTAN is said as a word, CAF depends on context. How a synthetic voice decides, where it gets it wrong, and the exact move to teach it the right reading for good.
Read →Choosing a French text to speech tool: six questions to ask first
Not a brand comparison, a checklist. Six questions to put to any French speech synthesis tool, and our own honest answer to each, including where it is no.
Read →Liaison: the hardest test for machine-read French
Liaison is where a French synthetic voice gives itself away. Five trap phrases, required, optional and forbidden liaison, and what the engine actually does with each.
Read →Free French text to speech: what \"free\" really covers
Quota, voice watermark, commercial-use rights, data sent: what the word free hides, and the exact breakdown of our own trial, with no flattering rounding.
Read →European Accessibility Act: penalties, enforcement and the road to compliance
The European Accessibility Act has applied since 28 June 2025. What a non-compliant business actually risks, how enforcement differs country by country, and where to start without overspending.
Read →Audio for training providers and e-learning
Written modules, course materials, practical guides: online learning rests on a lot of text that learners rarely read in full. What audio changes for completion, accessibility and learning on the move.
Read →Adding audio to a Framer site
Framer is built for polished, no-code sites, but it increasingly hosts blogs and content pages. Here is how to add an audio version of your articles, what the platform allows, and its real limits.
Read →Retaining paying subscribers with audio: a retention lever for media
Acquiring a subscriber is expensive; losing one costs even more. Audio does not conjure new paying readers, but it works where subscriptions are really won or lost: the habit of use. Here is how, and what not to expect.
Read →European Accessibility Act: what changes for e-books and publishing
Since June 2025, e-books and the stores that sell them fall within the scope of European accessibility rules. Here is what that covers for a publisher, and where audio helps without being the answer to everything.
Read →Trade press and B2B media: audio for time-pressed readers
Professional readers are busy people who skim dense content. Audio does not turn these subjects into mainstream fare, but it makes them consumable in the dead time of a working day. Where it fits, and where it does not.
Read →Audio and real estate sites: where listening actually helps an agency
Estate agency sites mix listings and advice content. Audio mainly serves the second, not the first. Here is where the format makes sense, where it does not, and how to test it without spreading yourself thin.
Read →Adding audio to your articles on a Squarespace site
Squarespace is closed and plugin free: you cannot install a module the way you would on WordPress. Audio is still possible, through the RSS feed or code injection. Here are the two realistic paths, with their honest limits.
Read →Adding audio to a Joomla site: articles, categories and blog
Joomla has run content sites for years, often ones packed with long articles. Here is how to add a listenable version, what the CMS gives you natively, and how to do it without touching code.
Read →The European Accessibility Act: is your business covered? Thresholds and exemptions
The European Accessibility Act has applied since 28 June 2025. Not every organisation is in the same boat: here is who is covered, who is exempt, and where audio fits without pretending to be compliance.
Read →Audio for nonprofit and NGO sites: audience, accessibility, tight budget
Nonprofits publish a lot and run on little. Does an audio version of their content make sense when every euro counts? The honest calculation, and the cases where it genuinely pays off.
Read →Adding audio to a SPIP site: templates, RSS feeds and sections
SPIP runs a lot of independent press, local government and nonprofit sites. Here is how to add an audio version of your articles, what the CMS makes easy, and its real limits.
Read →The European Accessibility Act: what changes for banks and financial services
Since June 2025, consumer banking services fall under Europe's digital accessibility rules. Here is what that means in practice, and where audio genuinely helps without pretending to be the whole answer.
Read →Legal blogs and law firms: audio for long, demanding content
Firms publish dense analysis that few readers finish. Making those articles listenable does not simplify them, but it changes who consumes them and how far. Here is where it helps, and where it does not.
Read →Adding audio to a Shopify site: blog posts and pages
Shopify is more than a storefront: its blog and guide pages carry a lot of content. Here is how to add an audio version, what the platform allows, and its real limits.
Read →Text-to-speech not working on your site: the causes, in order
The player is missing, the audio won't start, or the output is wrong. Three unrelated faults, eleven likely causes, and the order to rule them out in without losing an afternoon.
Read →How to evaluate a neural voice before you commit
Every demo sounds good. Six tests to run on your own articles instead, plus the three questions that have nothing to do with how the voice sounds and decide everything anyway.
Read →Food blogs: an audio version to follow a recipe hands-free
Cooking with clean hands and your eyes on the pan does not go with scrolling a screen. Why audio makes real sense on a recipe blog, and where its limits honestly lie.
Read →Audio and newsletters: extending email reading into listening
The newsletter is still a solid loyalty channel, but not everyone has time to read. How to slip an audio version into your emails, what it really changes, and its limits.
Read →Adding an audio version to your Wix articles
Wix has no server-side plugin directory like WordPress, yet audio can still be added without a developer: an embed in your blog, an RSS feed, or the API, all three methods explained.
Read →Word-level timestamps: what breaks without them
Every word given a start and end time in the audio. Four features depend on it, most speech engines do not return one, and the hard part is not the timing.
Read →Signature voice: what it means, what it commits you to
The phrase means two different things. For a publisher it is the recognisable voice a title is read in, closer to a typeface than to a piece of technology.
Read →Midroll ads in audio articles: where to cut, how many
The best-paid audio ad format, applied to a news article: where the break has to fall, how many to run, and the length below which it is not worth it.
Read →In-house text-to-speech or managed service: the real cost
Wiring up a text-to-speech API looks cheaper than paying for a service. Once you count development, maintenance and text extraction, the maths often changes.
Read →EU Web Accessibility Directive: a practical FAQ
Directive (EU) 2016/2102 is not the European Accessibility Act. Different scope, deadlines and penalties, and where an audio version does and does not help.
Read →Community news: what audio changes for a small newsroom
Hyperlocal publishing runs on tiny teams, newsletters and local ad sales. Where audio fits that model in three places, and where it is a waste of effort.
Read →Audio SEO: what actually moves rankings
Adding a player does not rank an article. Four things around the audio do, and one common setup actively costs you traffic. A practical, unvarnished account.
Read →Add an audio version to your Webflow articles
Webflow has no plugin marketplace, but you can still add audio without a developer: script embed, RSS feed or API. The three methods, step by step.
Read →Accessibility statement: how to mention your audio version
The audio version of your content belongs in an accessibility statement. Where to cite it, what to write, and what you must never overpromise.
Read →Tourism sites and visitor offices: making destination info listenable
Guides, visit sheets, event calendars: a tourism site speaks to people on the move, often phone in hand. What audio brings to that context, and its real limits.
Read →Regional daily press: audio in the service of local news
Regional dailies publish a lot, very locally, for a loyal but ageing readership. What an audio version of articles can bring to a regional newsroom, with no empty promises.
Read →Local government: making public information listenable, not just readable
Councils, counties, regions: a share of residents cannot easily read an institutional website. Audio versions of publications as a concrete accessibility lever, without an unreasonable budget.
Read →Integrating audio with a headless CMS (Strapi, Sanity, Contentful)
When content lives in a headless CMS and rendering happens in a separate frontend, where and when should you voice articles? The realistic integration patterns, without rewriting your stack.
Read →The European Accessibility Act: what e-commerce sites must do now
The European Accessibility Act has applied since 28 June 2025, well beyond the press. What it requires of e-commerce and service sites, and where to start without panicking.
Read →Audio version or screen reader: two kinds of accessibility that do different jobs
People often assume an audio version of an article does the same thing as a screen reader. It does not. Knowing which one answers which need saves you from dangerous misunderstandings about compliance.
Read →Audio for museum and cultural sites: make collections, exhibitions and news listenable
Museums publish a lot of well written text online. Making it listenable widens access, extends the visit and reaches people that reading puts off.
Read →Putting audio to work in higher education: university sites, courses and news
Universities and large training bodies publish a huge amount of text that few people read in full. An audio version finds a concrete use there, between accessibility, revision and outreach.
Read →Audio and dyslexia: making your content accessible to reading difficulties
Dyslexia affects a large share of your readers. Offering an audio version of your articles is not a gimmick: for some people it is the condition of access.
Read →Adding audio to a static site (Next.js, Hugo, Astro)
Static and JAMstack sites have no database and no classic back office. How to add an audio version of your articles cleanly, without betraying the architecture that makes them strong.
Read →Adding audio to a Ghost site, without breaking your theme
Ghost has become the go to platform for independent blogs and newsletters. Here are the three concrete ways to add an audio version of your articles, with their strengths and their limits.
Read →Adding audio to a Drupal site: the three ways to do it
Drupal powers many news and institutional sites. Here is how to add an audio version of your articles, from the simplest option to the most integrated one.
Read →Measuring audio listening: the metrics that actually matter
Play count, completion rate, conversion: which listening metrics a newsroom should track to judge its audio usefully, and which ones to ignore.
Read →Driving your article audio from an AI agent (MCP)
An MCP server lets an agent voice an article, check a job or pull subtitles in plain language. What that removes from a newsroom's daily workflow.
Read →Blogs and brand media: is article audio worth the cost?
Beyond the press, does a company blog or a brand publication really gain from voicing its articles? The honest return calculation, without overpromising.
Read →Read-along audio: follow along using the transcript
Each word highlighted as the voice speaks it turns a passive listen into an active read. What it takes to build, and what it changes for your readers.
Read →What an audio version of an article really costs
Studio recording, a DIY speech stack or a managed service: what each really costs per article, and the hidden line that decides the comparison.
Read →The European Accessibility Act and news websites: what applies since June 2025
The European Accessibility Act has applied since 28 June 2025. What Directive (EU) 2019/882 means for news websites, and where audio fits in.
Read →Turning your news site into a podcast, with no studio and no editor
An RSS feed of articles can become a real podcast, live on Spotify and Apple Podcasts, with no recording and no editing. What it actually takes, and what it brings.
Read →Monetising your news site's audio: three concrete levers
A news site's audio isn't just a reader service: audio pre-roll, registration wall and podcast turn it into revenue. Three levers, with no technical team.
Read →Getting proper nouns right in news audio
Towns, districts, officials, acronyms: the historic weak point of automated reading, and the one setup that fixes it permanently in about twenty minutes.
Read →Audio and accessibility: what it fixes, and what it does not
An audio version does not make a site compliant and does not replace a screen reader. What it does do, and where it sits next to the RGAA and the EAA.
Read →The audio-first newsroom: voicing every article
Readers listen while driving, walking, working. Why publishers now ship audio with every article, and how to do it without adding a step to the day.
Read →Adding audio to your articles: WordPress, API or RSS
Plugin, API for a custom CMS, or RSS feed: the three concrete routes to an audio version of every article, and how to pick without changing your habits.
Read →Synthetic voices: why you can't tell anymore
Neural text-to-speech has caught up with the human voice on a news text. What changed, how it works, and what it opens up for media.
Read →Why audio is becoming essential for online news
Consumption habits have changed: your readers want to listen. Here's why an audio version is no longer a gadget, and why 80% of titles still don't offer one.
Read →